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    And, staying for at least three minutes. On the heels of composing PAPER CUT, which pairs a wind band with not only an electronic track but a ream of printer paper, I knew I wanted to create another even more uptempo, groove-oriented piece that would be fun for fidgety teenagers with the attention spans of diabetic gnats. Okay, even fun for calmer musicians. Unexpectedly, that turned out to feature a twelve-tone row theme-- possibly the world's first for high school band, at least this far west of Vienna. For the inner geek in you, here's the tone row theme, first splayed out in all its tutti mightiness at bar 7: Initially the melody only had eight notes. When I noticed that none repeated themselves, I decided to go for broke, in a tip of the hat to my beloved year old German composition teacher Ursula Mamlok, who was a renowned serialist during the earlier years of her career.

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    It started off as sort of an information swap dedicated to the art and craft of scoring for films and television. Originally titled The Soundtrack Club, it evolved from a simple computer-printed sheet of paper into something that at least resembled a printed magazine. During these early years it was self-published in black-and-white and consisted of anywhere between pages.

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    I was first introduced to Film Score Monthly in late My first issue arrived in October and I was a steadfast subscriber until its last printed issue in For a film music newbie like myself, it was a bountiful treasure trove of information delivered to my mailbox every month -ish. I vividly remember counting down the days until my next issue.

    I would read it cover-to-cover standing right there by the mailbox. It was packed ok, an exaggeration but for me it seemed packed with composer interviews, soundtrack reviews, news, concert information, and interesting tidbits that a die-hard film music aficionado like myself could appreciate. To say this magazine had a profound influence on the direction my life was headed can not be understated.

    Since , Film Score Monthly has been published virtually as a monthly online publication. I said to the bird, "Wow, tight squeeze! I also realized that talking to birds is pointless; they make lousy conversationalists. Ok, this could be another local flatfish, like a sole, but I'm calling it a flounder just for the halibut because heck, you just don't sea this every day.

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    My observation of much not all band music is that it's often very straight and plodding in rhythm, and lacking in chromaticism. Yessirree folks, for one low price , just look at what's included: The twelve tone row theme appears in several keys throughout the piece: it first starts on C, later it begins on D, and somewhere in there it also begins on Bb.

    Packets of Dramamine should be included with each score set. So, students will learn chromaticism by playing almost every note on their instrument! They will learn syncopation!